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Translating the Theatre of the Spanish Golden Age : A Story of Chance and Transformation read DJV, EPUB, DOC

9781783190362
English

1783190361
A leading contemporary translator's account of why the plays of de Vega, Calderon and their contemporaries deserve to assume their rightful place in our performance repertoire, firmly set within the demands and opportunities of how our theatre works. It is an exploration of the ways in which translation itself takes plays that are distant from us and makes them immediate., This new book by academic David Johnson, on the Spanish 'Golden Age' plays argues for the importance of these plays place in history, as well as on the British stage., What this book most definitely is not is yet another academic discussion of Lope de Vega, Calderon and their contemporaries, divorced from any understanding of what makes these plays work so brilliantly on our stages. Instead it is a leading contemporary translator's account of why these plays deserve to assume their rightful place in our performance repertoire, firmly set within the demands and opportunities of how our theatre works. In a way it is the story of a love affair between a translator and a dramatic tradition whose riches are only now becoming apparent to theatre audiences; but it is also an exploration of the ways in which translation itself takes plays that are distant from us in time and space and makes them real and visible in terms of our own experience and our contemporary sensibilities.

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Offers a vibrant visual presentation with full-color photographs throughout including over fifty new photographs of many exciting new plays and revivals such as Anna in the Tropics, Cathay, Gem of the Ocean, Electricidad, 9 Parts of Desire, The Pillowman, All's Well that Ends Well, Awake and Sing, Hedda Gabler, Medea, Much Ado About Nothing, The Soldier's Tale, and The Teahouse.In his critical approach to Durrenmatt, Timo Tiusanen emphasizes the author's relation to the theater, and analyzes the thirteen original stage plays, eight radio plays, and five adaptations, using the special concept of "scenic image" developed in an earlier study of O'Neill.A taut, illuminating two-hour show - makes you think without making your mind up for you.' Independent on The Riots 'It is the cool, calm objectivity of this documentary drama that makes it so powerful and shocking - The British theatre - indeed, every Briton - should be proud of this play.' Sunday Times on Guantanamo: Honor Bound to Defend Freedom 'I still rate it] as one of the highlights of my reviewing life.' The Guardian on The Colour of Justice 'This is theatre both as confected sensation and as direct civic engagement.' Financial Times on Called to Account., For the past twenty years, Tricycle Theatre has produced a remarkable and enduring collection of "tribunal plays"--based on verbatim reconstructions of public inquiries.In A Doll's House he portrayed the wife struggling to break free: this was unheard of at the time and Ibsen's play caused a sensation.How plays should sound, and how they should be heard, were vital questions to the formal development of early modern drama.Whether you are a founding era enthusiast, a revolutionary era novice, or a teacher looking to ignite interest in this important topic, you will find an enjoyable resource in this unique handling of the period in Founding Era Plays., My desire here is to make the major people and events of the American Revolution and the people and the debates involved in the Declaration of Independence come alive for students.Includes the plays Half Life by John Mighton; Rune Arlidge by Michael Healey; The Optimists by Morwyn Brebner; I, Claudia by Kristen Thomson; Motel Hélène by Serge Boucher, adapted by Judith Thompson from a translation by Morwyn Brebner; and It's All True by Jason Sherman., Just in time for its fortieth birthday,Tonight at the Tarragon is the first ever anthology of plays that originated in or received their English-language premiere at Toronto's leading playhouse, the Tarragon Theatre.Cheerleaders by Qui Nguyen, The Brothers Grimm Spectaculathon by Don Zolidis, 15 Reasons Not To Be in a Play by Alan HaehnelAs Karen Malpede points out in her introduction to Acts of War, drama �arose as a complement to, perhaps also as an antidote to, war.� Like the great ancient Greek playwrights Aeschylus, Sophocles, and Euripides, the playwrights in this volume see the theater as an art form uniquely capable of addressing the effects of warfare., As Karen Malpede points out in her introduction to Acts of War, tragedy "arose as a complement to, perhaps also as an antidote to, war." The greatest of the early playwrights wrote from experienceAeschylus and Sophocles were generals in the Athenian army, and Euripides was a combat veteran.From its inception, it has identified cutting-edge playwrights who have gone on to establish award-winning careers, including Tennessee Williams, Edward Albee, and more.Book jacket.Includes one-act dramas based on human situations as conceived and interpreted by the author at a time when he was convinced human beings are essentially selfish, self-centered creatures., The plays in this volume are one-act dramas based on human situations as conceived and interpreted by Strindberg at a time when he was convinced human beings are essentially selfish, self-centered creatures.